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Richard Porton

V for Vendetta, directed by James McTeigue

Revolutionary Mode. Considering the anarchist cinema of the 21st century

Monday 4 December 2006, by ps

Since anarchism is a notoriously difficult term to define, it should not be surprising that the concept of "anarchist cinema" is equally elusive. Just as internecine conflicts between anarcho-syndicalists, anarcho-individualists, and anarcho-communists complicate efforts to reduce anarchism to a monolithic ideology, there is no consensus as to whether anarchist filmmaking is more a literal-minded matter of content (e.g. documentaries on anti-authoritarian activism or biopics on heroic figures from the past like "anarchist martyrs" Sacco and Vanzetti or Buenaventura Durruti) or an idiosyncratic style (e.g. the bold lyricism of avant-gardists like Jean Vigo). Even Stuart Christie, the well-known British anarchist writer, activist, and avid movie enthusiast, confessed to The Guardian that some films made and produced by anarchists are often "very boring indeed."


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LYALL, Sarah. "The Ingénue Who Blows Up Parliament", New York Times 154 (6/19/2005) #53250, Section 2 p.1-15(2 p.)

Comments on the Warner Brothers film "V for Vendetta" Is it moral to use violence to fight oppression?